I’ve watched this little beauty and her gorgeous mom at church for a long time (don’t worry, I’m not a stalker, but I do work at the registration area, so I see a lot of the kids week by week). I’ve always thought what her golden blond hair and crystal blue eyes would do in a picture – just pop, I was sure. So, imagine my elation when Mom asked me to capture some memories for them! That’s right – ecstatic. The only negative to the situation was that it was C-O-L-D the morning we had scheduled, but we persevered, and you can’t even tell this sweet girl is cold! Look at these beauties!
Archive: January, 2011
Newborn ~ TWINS!! {Granbury newborn photographer}
This is one of those cases where facebook has been revolutionary in my life, and a reason that I’m uber thankful that my husband and I share a facebook account. Craig and Jeremy knew one another in high school, and as a result, they (we) are facebook friends. I noticed on Craig’s posts in December that his wife was expecting twins, and one day as I was praying for mom and babies, I had a selfish revelation. I had never had a session with newborn twins. I’ve oohed and ahhed over the images of other photographers’, but it was a elusive session for me. So, I worked up the courage to message Craig and ask if I could photograph the twins. I didn’t even notice where they lived (not close). But, it just so happened that they were in the area this week visiting family! How sweet are these!?
It happens that I’m also taking an online photography course [Brooke Snow Advanced Pro] because I can’t get enough of learning more and refining my craft. My original plan for the assignment this week was an outdoor session for Saturday afternoon, and it rained. But, as I reflected, I did a LOT of preparation for this twin session (not that I don’t plan for each session, but newborns are more comfortable for me now, so it usually includes a mental list, thinking through posing, and thinking about props whereas I used to write out every detail!). I knew two babies presented more challenges (for instance, getting TWO babies to sleep!), and since it was my first session, I pulled out my posing guide. [See, I have a notebook of poses (some of you have seen it because I sometimes point to a pose to help you figure out how to "strike" it!
]. In any case, with the pressures of two babies, I had my posing guide out, and on each page I wrote what background and what props I wanted to use. I planned for my sister-in-law, Lisa, also a photographer and a woman with MAD baby skills, to join me for a second set of hands and a second set of photographer eyes to check for details I might miss in an effort to get a shot quickly, before a baby moved or cried. My new space (this was only the 4th session there), is still new to me as exemplified when the room went dark twice – plugging a space heater and two large lighting units tends to overheat the power strip after 3 hours…who knew!?
I there is no way that this shoot would have been as successful if I had not had planned to have Lisa with me (thank you, again, Lisa!), and if I didn’t have my posing guide. Baby Girl was not wanting to miss a bit of anything (true to feisty little girls) and woke easily, so it was GREAT to have my posing guide (with notes) to review and choose the poses that would be least disruptive to her. I have to admit, I’ve gotten to where I don’t use my posing guide much, but that’s going to change because it made my session so much smoother and gave me much more confidence and calmness.
Photography Friday – Exposure
Today, I’m biting off a bit more than I can chew. Yep, my eyes were bigger than my stomach here, but I’m going to stick with because I think this is one of the keys to getting amazing photographs. Realize that I’m trying to condense a subject that whole books are written about, and the very best is Understanding Exposure by Bryan Peterson. Just buy it. You’ll be glad you did.
Also, this is one way to look at exposure…there are many, many more. In trying to be accurate, I’m pretty sure I’ve given myself a headache from studying a dozen different resources to make sure I’m “right” (only to find conflicting information everywhere I turn), stopped for a mind-clearing run, and almost decided to “forget Photography Friday!” (but I won’t).
Your camera comes with a variety of settings because no single setting is the BEST setting for everything. Settings are important because a camera takes a picture based on light, and light is never exactly the same from event to event. It’s important to know what each of the settings on your camera are & what they are for.
Hopefully your camera has a setting that is a manual setting (but not all cameras do, so check your manual (wow, how confusing is that?)). The manual setting allows you to have the most control over what your picture is going to look like because you can adjust shutter speed, ISO, and aperture (more on those soon).I shoot in manual mode 90% of the time.
In the picture below is what an exposure meter looks like on your camera. You may have seen this little scale & wondered what it was all about. Somewhere, if you can shoot in manual mode, you’ll find a similar meter. I can also see this meter through my viewfinder, because I shoot through the viewfinder, not from the back LCD.
This exposure meter measures exposure (I know, go figure!). On the left of this meter you see a “+” and on the right you see a “-“. Look to see how your meter is oriented, some have the “-“ on the left and the “+” on the right. The “+” end means the image is heading toward overexposed and the “-“ end means the image is heading toward underexposed. You aim to hit the “0” in the middle which means the image is properly exposed. The increments between indicate how much overexposed or underexposed the image is according to the meter.
That’s the basic “rule.” But, you have to know that there is so much more to exposure.
Play with that for a week: put your camera on manual, play with your aperture and shutter speed to control where the exposure lands (and indicated by the exposure meter of your camera). You may need to start off with your camera in program or auto mode so that the camera meters for you. Note the aperture and shutter speed, and switch to manual. Set your camera to the same aperture and shutter speed. Now, change the shutter speed to a stop faster and take a picture. Change it another stop faster and take a picture. Again, again, again. Reset the shutter to its orginal speed. Now, do the same but change aperture. Go look at your pictures and what happens. Next, choose different locations – outside, garage, inside. Set your aperture and shutter for each location using the exposure meter – the higher the shutter speed, the less light comes in (translation = bright outside, high shutter speed). Return to the original and change aperture – the smaller the aperture (higher the number), the less light comes in (translation = bright outside, you could narrow your aperture…but this will affect your image, and more on that when we get to bokeh).




















